Here’s a very satisfying “before and after.” These chairs arrived in my workroom in a well-loved condition. The consignment shop where I found them had slit the webbing to remove the nasty, crumbling, petrified foam that was sprinkling out everywhere. Since they were such a fine quality, there were no repairs to be made, but they needed to be sanded and painted because of 70 years of (surprisingly little) wear: dings, nicks, scratches. The before:
Although these had foam over the webbing, I replaced it with coil springs and horsehair because such nice chairs deserved the finer traditional upholstery treatment. Here’s the progression:
I chose a fine velvet from GPJ Baker called Barcelona in the Indigo colorway. It has a large repeat, which allowed me to use a different part of the fabric on each of the chairs. The fabric is vivid and bohemian in nature, with parts of it quite irridescent. I always find the finer fabrics to be lovely to work with, and this one was no exception. It went on beautifully over the scrim, or calico, (as they say in the U.K.) layer.
These turned out so well, and happened to sell right away, so I’m going to be looking out for more to transform!
I had these antique pieces in their run-down state for a couple of years. When I acquired them, I knew they were the kind of thing that would not settle for ordinary. When they came to me, they looked like this:
You really couldn’t sit on the settee because the springs were falling out of the bottom, but the seller had stripped the old fabric off and put this muslin on, I think to make them more attractive. She needn’t have done that; it was pretty easy to see their potential no matter what. The gilding on these pieces was untouchable–shiny in many places, worn, dull in spots, greenish in others, glazed in some crevices, missing in some areas–and tells a story that no one will ever hear. They are very old, and obviously hand-carved, in mahogany. They needed a special fabric, and when I saw the Designers Guild Mattiazzo, there was no question about their future.
I don’t use foam when I upholster antique pieces. I have invested in learning and practicing the traditional ways of upholstering that include hand-tied coil springs, excelsior foundation, burlap, stitching the integrated sculpted edge roll for structure, and stuffing with horsehair and cotton. It’s labor intensive and expensive, but beautiful and long-lasting. When I’m done, it feels like I have created a piece of art, not just furniture. I call it “artisanal upholstery”.
Come into my studio! Here are a few process shots to show just how intricately constructed the guts are in these pieces:
And, voila! Many steps later, we have the finished product!
Here they are together, comparing notes on how far each one has come over the last 100 or more years. We’ll never know where they started, but they aren’t planning to quit anytime soon!
These are for sale. Check them out in my Etsy shop. You can also contact me directly.